Anxiety-riddled ditties about hunting Coyot, 12 point bucks, riding dirt bikes, drinking 'Gansett? That's the messy juxtaposition to be expected from Peru, Maine's Buddusky, guy.
Buddusky's Some Quills Caught brings me back to my time living in Downeast, Maine. Particularly going to school in a town locked in by trees, a small bay, and only one road in or out. No where to run or hide, I took a short story writing class and remember reading a lot of stories about first time hunting trips, working on dad's F150, and learning to drive a tractor at age 10. These stories were sloppy and brief but they were also brutally honest and confessional. One kid got teary-eyed when he had to read to the class that Pa finally accepted him after shooting his first deer. It was no 12 pointer, but it would do.
Growing up in and around the more rural parts of Maine, you hear the hunting stories or the dirt bike stories time after time. Yet, there's something about hearing these stories without the puffed out chests, or the macho prowess. Instead, the stories are told through the truthfulness of a frightened kid again. That's what Some Quills Caught is all about; the feeling of being a kid again, lost in the woods behind your grans' house, being scared to death and begging to go home. We all eventually grow up - but we never forget our childhood fears.
Associated acts/sounds: Mouth Washington, Greasy Grass, Captain Hollow, Fon Fon Ru, Lunch Cult
Knife Worship, hailing from Bangor, Maine at the time of this release, have been tinkering away in sound recording classes and dirty practice spaces on and off again for a few years now. In that time, the sounds coming from those rooms have evolved. What once was powerviolence became post punk, then industrial and back again. At the end of the day, there's one thing that Knife Worship have always focused on - testing the limits of punk rock music. Targeted Individual is a synth-y, post-punk-drenched 4-song release that ends before you can even think of another sub-genre. Enough said. It's a quick trip, so dust yourself off and listen to it again.
Similar acts/sounds - Ceremony, Uniform, Caust, Limbs Bin, Night Life, Street Sects, So Stressed.
The Time has come for another great local release... the time has come to get STONED!
Stone Tools are a barbaric thrashlords from the southern caves of Maine. The music that is played on Stone Tool's debut album is the kind of music summoned by riff gods using lightning bolts and ancient stone-based instruments. Don't believe me? Take a listen to Stoned To Death right now:
Portland's residential dark synth wavers are also back with another super original album that is appropriately named Sinister Vibes. Once described as electronic music from inside a deep dark well, Afraid have climbed their way out onto land and right into your backyard. They aren't just huddled behind the bushes either, they are right out in the open ready to strike you with their soulful ax. Don't bother calling the cops or running away... Afraid's Sinister Vibes will be both heard and felt.
Sinister Vibes is out now on a very hip (from the sound of it) label, Crash Symbol. I would definitely recommend grabbing the tape from those guys and going to see them before they get too hip and move across the state or something. For Portland folks they are playing tonight at Poland Street and tomorrow they are playing in Bangor at COESPACE on Columbia Street. Get Afraid!
It's been some time since we last heard from the Hansen brothers and company, but Mouth Washington of Portland, Maine are not only still slamming on guitars and hacking on dusty drum kits, they are probably at their best right now with the release or their new album, Don't Mean.
Mouth Washington's blistering garage rock meets punk storytelling has matured since breaking out on the scene, but in no way has this maturing caused them to lose any of that baby-fat which made them who they are. Nope, Mouth Washington are still messy, still rough around the edges, and, most importantly, still shouting for your attention! So listen:
Damn, it seems just like yesterday I was seeing these guys play at the Apohadion Theater on my birthday in 2010.
Not all black metal has to be restricted to bedroom recordings and isolated woods.
Believe in No Coming Shores by the Northeast gods of metal, Falls of Rauros has been a long time coming. Recorded between 2012 and 2013, these 10 tracks make a brutal black metal ice storm of an album that, like Butcher Boy's Rhubarb single, has been crafted from hours and hours of practice and ear-shattering shows. If you like both powerful and woods-inspired atmospheric metal, this is not an album to sleep on.
Listening to Falls of Rauros online is not the same as listening to them up close and personal. I'm not saying these recordings aren't amazing, because they truly are, I'm saying that this is music meant to be lived - meant to be witnessed. Yes, I bet Believe in No Coming Shores sounds even more amazing on vinyl and you should definitely pick it up if you ever see it in your local record store (wink, wink), but to get the full experience of Falls of Rauros is to actually see these guys perform. I'm not an expert at anything really, but I have gone to quite a few shows in my short time here on earth and I have never heard a band play my ears off the way Falls do. These dudes know how to play loud and passionate walls upon walls of metal, trust me.
P.S. The shredding in Spectral Eye will make any big guy in a leather jacket weep - NFT guarantee.
If there's one band this year that deserves your attention it's Portland, Maine's own Butcher Boy. No strangers to this site, Butcher Boy are Maine's leading brand for music groups with no easy label. If there's one tag that can be at least included with a bunch of other sub-genre words like post, freak, or doom - it's folk. But of course Butcher Boy are all of those things and none of those things at the same time.
It's been a little while since Butcher Boy has released anything physically, but their constant appearances at shows and festivals these past two years have made it incredibly easy for anyone to hear what they are up to. From Shoreless Sea released in 2012 to last year's small Rhubarb single, Butcher Boy have found the mystical gel through the power of repetition and are using it to their advantage like no other. They might play pretty much the same songs they did a year ago i.e. Cousin, Empty Ocean, and New Home, but they have mutated them into incredible masterpieces the more and more they are played.
It feels like I saw Butcher Boy 20 times in 2014, but every time, whether it was at the Space Gallery, on an island, at a farm, or in the park I was left out of breathe and completely inspired. That being said, the best advise Bassist Travis Mencher could give to an audience is to make your own creative music. Not only because Butcher Boy never has a song left for encore but also because that's what music should do to you and what Maine needs - more creative music.
I highly recommend picking this up if you get the chance because it rules (of course) and it supposedly glows in the dark! I didn't get a chance to grab a copy yet but I will as soon as they get back from their small tour.
Prayer For Terrene is an off the walls and almost John Zorn-esque hardcore album from Australia's Idylls. The album includes two tracks that were rerecorded from Idylls' 2013 release Indian Circle, but it's hard to notice them without looking at the titles as the tracks have been polished up and sound much fuller. After all, this album did take Kurt Ballou and a whole engineering team to get the noise that is Prayer For Terrene just right. All in all, this album is sure to open your eyes as much as it does pry open your ears. It's certainly not for everyone but if you are a fan of overly aggressive and noisy hardcore this is a trip worth taking.
From my notes it looks like New York for one reason or another was putting out bands that were catching my attention the most in 2014. While I had heard about Big Neck Police through blogs like Gimme Tinnitus, I actually heard the other half of this album, Dog, through word of mouth. When I went looking for a band with such a simple name, I came up empty-handed. Luckily, I just checked back in with Big Neck Police in November and found this incredibly interesting split with both cats... err, I mean dogs. These two bands almost sound more like they belong in the Washington, DC Dischord days with the way they use their guitars like little knives guarding obscure vocals.
Some more obscure music... this time from my home state of Maine. Family Planning is Billy Carr's full band now featuring Jesse Heasly on bass and Peter McLaughlin on every inch of the drum kit he could find. What makes John Wayne Frankenstein so interesting to me is how eerily addictive I find Carr's vocals. Reminding me of the mysteries that were my cousin's house or how to eat with my mouth closed, this album brings me back memories I haven't thought up in years.
John Wayne Frankenstein was one of a few albums from Portland that was released on Peter McLaughlin's very cool new record label, Pretty Purgatory. Check out that label and the "pledge" system that goes along with it!
While Salem's Pot wasn't the only Sabbath worshiping band to release lengthy epics this year - I'm looking at a you, Pallbearer - Salem's Pot are, as you can probably guess from the name, a bit more on the psychedelic side. With that advantage and the obvious influence of early doom music, Salem Pot probably make the most interesting Sabbath-inspired music today.
If you were like me this year the most Jazz you listened to was that jazz-drum-solo Birdman soundtrack. I did however listen to Jizue of Japan's new release Shiori, which might not have been straight jazz, but included everything from jazzy math rock to coffee house pop to math rap. Some of what Jizue might sound like Mouse on the Keys at first as it's heavily piano-driven math rock, but where Mouse on the Keys tends to be a bit stomp-y, Jizue is much more light on their feet (ex. "Wind"). Still, Jizue are not playing around, this is not feathery or lightweight music by any stretch of the imagination.
Shiori features Shing02 (who rapped on the Samurai Champloo intro by Nujabes) and Ikkyu Nakajima (from Tricot).
This is volume three of Mike Cunnane's super cool and completely DIY recordings of Maine bands. Some of these bands I got to see tear it up (musicly speaking, of course) at Portland music fests and special outings this summer i.e. Hopeless Losers, Babe, and TG9; some I have known for some time i.e. if and it, Mr. NEET, Great Western Plains, SS Cretins, and others i.e. Phallus Uber Alles, The English Muffins, and Fadeaway Jumpers are bands I'm listening to for the first time via this rad comp.
All the bands, as always, are completely different, so don't skip a beat if you wanna find something new to listen to. Bands like TG9 (members of Perfect Hair and An Anderson) and SS Cretins (psych throwbackers and good friends of mine) should especially be bands you'll be seeing/hearing again on this site so don't sleep on those folks.
Enough yapping from me... just check this out:
Be sure to check out the other volumes as well if you like what you hear ;)
From the ashes of local legends, Conifer and Ocean came a new experiment to enter the dark dimensions of the musical subconscious. The year was 2011, and new bands from Maine were popping up left and right, including aformentioned louder-than-hell brigade, Awaas. Now it's 2014, and Awaas, like any cool local band should, are calling it quits.
Almost two Sundays ago, Awaas took there music, set it on fire, and rode off into the sunset, (almost) literally. Awaas's final performance was a viking funeral through Casco Bay. While there may or may not have actually been fire aboard the Casablanca booze cruise, from the sound of things it was quite the burial at sea. As a fan of both music and boating, that is probably the most badass way to go out.
Along with the Casablanca Cruise being the final show for Awaas in Portland, it was also the birth of their cleverly titled new album, It's Great Dying. Whether or not the 'waas team knew they would be releasing the damn thing on their death bed, It's Great Dying is certainly their swan song.
Riddled with the instrument of choice circa 1983, the synthesizer, Awaas goes completely in direction not yet heard on It's Great Dying. It seems a bit risky at first, mixing their minimal approach heard on the 2011 self-titled EP with a much more prominent gothic to industrial pop feel. Still, even with the fond interest in the synth, Awaas retained that heaviness that I remember quite well last time I saw them (opening for Thee Silver Mt. Zion in Portland).
It's Great Dying is not like a lot of music being released these days. Coming from Awaas, this is no surprise to me. Awaas is not music you can easily define other than throwing out a few meaningless phrases like krautrock, electro, industrial, or drone with names like Swans, Lungfish, Bauhaus, and The Birthday Party. At the end of the day, Awaas is just Awaas - as cheesy as that may sound - you can't put a finger on something that doesn't have any guidelines or rules other being completely DIY and has the need for really loud synth.
Highlights: "A Simple Horror", "Big Fun", "Tiny Monsters", "Magnetic P.I.", "Cauterize", and the rest of the album.
Also, feel free to read more about Awaas and their final show via Post Mortem, here.
Sweet Teeth are a riot grrrrrrrrl punk rock outfit out of Portland, Maine. They recently played with my buds in the psychedelic throwback, S.S. Cretins at The Oak & The Axe in Biddeford as well as starting the night off right at the Ramshackle Glory show a few weeks back.
Buddusky are from a part of Maine I don't hear much about. That part being Mexico, Maine. Still, Buddusky are making the once home of bingo caller/carnival barker, Ed McMahon very proud by providing simple yet cool guitar and drum music to the state.
Free To Think are a hardcore band from my third home, Bangor, Maine. Much like my buds Never Relaxed, they are keeping this whole hardcore scene in Maine alive and well. They also happen to be wrestling fans like myself, so I can't not talk about them. This here is their '014 demo which includes a real American outro that can't be missed:
Dark and dreary pop punk rock from Olympia. A three piece possibly possessed by ghosts or some sort of modern-day witch (if that's PC). Margy Pepper are very reminiscent of another band from Olympia that I have talked about before and that band would be RAGANA. This is no coincidence either as they are best buds and do tour together.
Margy Pepper did happen to make it to Mayo Street in Portland a few months sans RAGANA.
Windmill of Corpses are a three-piece crust metal band out of Arizona. With punchy drums and demonic howls, these guys are a guaranteed slap right smack in your little baby face. Get on this if you want to live with your beautiful baby face no more.
Never Relaxed are some Portland dudes playing music and getting mad about some stuff.
This is a demo I was really looking forward to listening to for some time now, and have been for the past few months. It's the debut for the four-man hardcore punk outfit out of Portland and it's certainly true to the growing hardcore scene in Maine.
The unique vocals of lead-yeller, Zech is fueled by new and old school hardcore acts from Bad Brains to Bane to Portland's Cruel Hand. Then there's the other guys who, in such a serious genre, are never taking themselves too seriously. Mix it all together and you have a very fresh hardcore band that fits not just in legion halls and VFW posts but also in punk houses and underground jam spots.
Here's some local goodies from the Bangor, Maine collective, FYLTD.
The collective features many familiar names of the electronic, DIY, instrumental hip-hop, and sample music scene here in Maine including AFRAID, Jared Fairfield, Altered Gee, and the post-something rocker's Captain Hollow. Other acts and musicians in FYLTD and on this compilation such as Swerly Bird (Lanny Winchester), Life Circle, and eebbtiddee are acts rooted in the electronic Bangor scene that are just waiting to be discovered. This is FYLTD's first compilation and is curated as a way for Bangor natives, former members of 1800s Sea Monster and their friends to share their art/music together.
If you would like to read more about what FYLTD is all about I suggestion checking out Culture Shock's write-up of the group and their first compilation over on the Bangor Daily News's blog site. If that's not good enough for you, you could go to the show that members of FYLTD are putting on next week to celebrate Vol. 1's release and get the scoop on FYLTD first hand. The show is at The Bangor Opera House starting at 7 probably (maybe) and everyone gets a physical copy of the compilation(maybe).
A little something-something from the indie pop dudes in the Baltimore area. This 3 song EP of sorts features two B-sides along with Dung Kid's single, "Grenville, Pt. 1" from their first release, Oh How it Hurts; a song that easily made my top 10 songs list last year.
If you haven't already heard about these guys, you are hearing them right now. Literally, listen to these guys right now!
Big Ups from New York are blowing up with their new album, Eighteen Hours of Static and for good reason (listen). Before they were killing it with a Fugazi meets Melvins post punk sound, they were baby punk rockers in a big city. Some people might just wanna skip to their new stuff and call it good, but I like their old stuff, too. I don't know, maybe you'll like it as well.
Where's My Friends are a Portland, Maine brewed instrumental three piece featuring members of the late math rock band, The Waldos, and the always impressive, Butcher Boy. While Where's My Friends are not as heavy as The Waldos stuff (not that The Waldos were off the walls), it's still moving, a bit free flowing, but moving nevertheless.
Special Explosion are the newest members of the Topshelf Records family. This release is a combination of pretty much all the material that Special Explosion have released in the past all rolled up into one great little record debut of sorts.
Want to bring a little darkness to your holidays? How about some crusty two-piece blackened metal?
Cara Neir's got you covered.
I was pretty surprised to see these guys make Spin's 20 Best Metal Albums as well as Stereogum's however many albums they want to put below Sunbather metal list this year. Hell, Cara Neir even made it onto a College Humor list and labeled as "...great for everyone who would prefer to be dead". I would not go as far as to say that this album would make you want to off yourself, but Portals to a Better, Dead World would definitely make it into my favorite metal things list this year if I had one (even though I wouldn't consider them straight-up metal).
From what it seems, Mares Got Strangled might be Captain Hollow's "final transmission for a while". As someone who has been following this Bangor/Portland band for a bit now, I'm surprised they haven't broken up yet. Then again, I probably say that every time they return to make one last album.
Mares Got Strangled is without question Captain Hollow's most experimental release. If you get passed the fact that this album is not serious at all, you can really start to enjoy its all-over-the-place-ness.
I also really appreciate the Pooty Tang reference (track 5). The world needs more Pooty Tang references.
Just some solid math rock about farm animals, Foo Fighters, and the number 15. A follow-up to their debut, Christ Grenades from all the way back in 2007.
Greef is Pete from Portland, ME's favorite folk nightmare, Butcher Boy. Greef is also the name of this analog exploitation of fuzzy lo-fi. The best way to describe it really is to say it's less like a musical experience and more like a listening experience...
...Like finding a cassette on the side of the road that still works even with its tape ripped out.
Heccra ain't your average mom and pop screamo band. It ain't your average emo-because-Buzzfeed-told-me-it-was band either. Never would I have thought of calling a genre of music "mutilated" until I first heard Heccra's distorted and all-out exploded post-hardcore music, but that's what I would call Heccra.
None of what I just wrote right there might make any sense. If it did... you listened to The Last Weekend of Summer. If not... listen to The Last Weekend of Summer.
The Body in the Kelp were born in 48 hours. These songs, they were born in 48 hours. Everything about this album, 48 hours.
Well sort of. The Body in the Kelp is a band made up of four musicians who, before participating in the 5th annual Portland Space Gallery 48 Hour Music Festival, had never played music together. See, the 48 Hour Music Festival is simple, you put a bunch of musicians together randomly and make them come up with a 20 minute set and a band name in 48 hours. Then they play said songs for a sold out crowd at the Space Gallery. The Body in the Kelp and this EP are just that; the 20 minute set the four musicians came up within 48 hours and played at the show. It's a bit more polished and re-recorded now, but the premise its still there: this is 48 hour music.
This EP opens with an amazing sample choice of Bert and I, a Maine humor classic, and then an ambient bassline leads in to rhythm guitars and drums before the vocals pierce through. From there we get more samples including a Martin Luther King speech along with more riffs, sliding guitar, doomy textures, and dirty rock 'n' roll vocals. Need I say more?
48 hours this stuff was thought up. Four amazingly original songs. Wickedly good stuff. Get it.
Here it is! The second volume of Portland DIY: CUT THE SHIT is complete and ready for our ears.
Featuring: An Anderson, Wood Burning Cats, Buddusky, Bath Salts, Conjjjecture, Older Men, Boyfriends, Haru Bangs, Purse, AFRAID, and Leveret (can be heard in the final snippit, "[OUTERLUDE]").
Read more about this project here or here or here.
AFRAID has expended and now includes: Ryan Cutler (To The Barricades!), Jared Fairfield, Matthew Lajoie (Cursillistas, Herbcraft), and James Marcel along with the ghost himself, Jakob Battick.
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