NFT's Got You Covered 2018

2018 has been a rollercoaster if rollercoasters had more trials and tribulations than thrills and excitement. I had high hopes of bringing Nostalgia For Tomorrow circa 2010 back to reality, but again the rollercoaster of life had an open seat for me in the front row. Despite all that, I won't apologize. Instead, I'll write about some things that make me happy. So, here is a list of my favorite cover songs from the year 2018. For listening and enjoyment purposes only.

Always Crush Me - Wreck and Reference



Wreck and Reference take Guided By Voices' lo-fi recording and all its roughness, amplify it by 100, and project it into twisted industrial metal. The monotonous guitar strumming is traded in with synths and slacker vocals become panic-induced yelling. "Always Crush Me" is the perfect little cover for a perfect little song in Guided By Voices' giant-ass catalog.


Agony - Beach Fossils

Yung Lean's under the influence love song from last year gets an upbeat treatment thanks to New York rockers, Beach Fossils. "Agony" is an ice cold number about tripping balls that seems indulgent at first, but give it a few listens and you will discover a haunting song that boarders on claustrophobic. With Beach Fossils' addition of light guitar and a steady bass, the walls seem to move even closer in on you. BF's version might be a bit more upbeat than the original, but it's far from the most rock n' roll rendition of a Sadboy-type song; that award goes to a similarly named band, Beach Goons, who covered Spooky Black's "Without U" back in 2015.


I Started a Joke - Marissa Nadler



A number of songs from Marissa Nadler's second cover album could have been posted here. There's one of my favorite Leonard Cohen tracks ("Avalanche"), a heartbreaking Daniel Johnston track ("True Love Will Find You in the End"), and a somber Danzig deep-cut ("Blood and Tears"). I have to give the spotlight to Nadler's rendition of "I Started a Joke" by Bee Gees though, since the original turned 50 years old this year. Plus, it's really good.


Bark at the Moon - Integrity



Integrity haven't slowed down a bit since releasing their barn burner, Howling, For the Nightmare Shall Consume last year. This year, the metal/hardcore crossover vets released a split with American black metal outfit, Krieg, and for Halloween released a cover of an Ozzy Osbourne classic. Despite the essential choice, Integrity's deliver is anything but tongue-in-cheek. Yes, it's still clearly an Ozzy track, but Integrity's signature sound breaths new life into the old beast. Take a listen above and go off the rails of the crazy... err, bark at the moon.


The Book of Love - bedbug



A few years back, a work friend invited me to his wedding and mentioned that the wedding song would be "The Book of Love". He asked me if I had ever heard of the song in hopes that I would guess The Monotones' song by the same name. Instead, I did my best Magnetic Fields impression without drawing too much attention to myself. He was impressed but also a little confused. I never ended up attending the wedding, but I did learn that "The Book of Love" is a very popular wedding song. The twist, of course, is "The Book of Love" by The Magnetic Fields on the album, 69 Love Songs was later covered by the more-known-by-co-workers, Peter Gabriel. Flash forward to this past Halloween, I'm attending one of the 8 Halloween cover shows the Boston-area had to offer, and bedbug was performing as the Scrubs Soundtrack, a medley of songs from the hit show. One of the songs bedbug played happened to be "The Book of Love", which appears in the season 8 finale a la the Peter Gabriel version. I joked about whether bedbug covered The Magnetic Fields version or Peter Gabriel to myself. Flash forward to a few days ago, when a 69 Love Songs tribute album was released by Living Statue Records. There, waiting for me among the 69 songs, was bedbug's "The Book of Love". This recorded version might be missing the Scrubs samples that were weaved into the rest of bedbugs' Halloween set, but it's still really awesome to see my pointless anecdote about "The Book of Love" grow each year.


By My Side - Ben Walsh



Ben Walsh of Tigers Jaw's cover on Don't Stop Now II: A Collection of Covers is a perfect example of a gateway song to the original. Without clicking on Ben's cover, I would have never given much of a thought to the new Porches album. Now "By My Side" is among one of my favorite songs of 2018. As for the compilation itself, if you got the cash I highly recommend grabbing all 33 covers which benefits RAICES (Refugees and Immigrants Center for Education & Legal Services). RAICES seems like a great place to throw your money at; throw your money at anything and everything that is not a giant fear-mongering wall.


Havana - Superorganism

Superorganism's intoxicating rendition of "Havana" feels like it manifested via a long night of partying at a local karaoke bar. Something that could not have been duplicated at the karaoke bar, however, is their candy-coated production that has been ever-so-carefully melted into digital goodness for the ears. There might not be as much going on as there is in every other facet of Superorganism's recordings, performances, and wild Spotify music videos, there's still no mistaking the dedication to their commitment to ultra quirkiness.


I Wanna Be Adored - King Woman



A major appeal to the Stone Roses' hit number, "I Wanna Be Adored" is the misheard chorus which I always sing as "I Wanna Be A Door", while others mishear it as "I Wanna be a Dog" or, similarly, "I Wanna be Your Dog". King Woman's version adds a new layer to the already misunderstood lyrics by draping the song in doom-y drone atmosphere. "I Wanna Be Adored" seems unrecognizable at first, until Kristina Esfandiari AKA Miserable's wispy vocals come in. Eventually the song picks up and echoes the aforementioned line that sounds especially like "I Wanna Be A Door" until coming to an untimely end. It might not go down as smooth as the original, but give it a few listens and let it grow on you like a small rash or black mold.


Infinity Guitars - Sunflower Bean

What better way to celebrate a record label's 10 year anniversary than taking a swing at a song that is surprisingly almost 10 years old. Sunflower Bean manage to shed some of the over-amplified guitar work without losing any of the energy that rarely is heard from Sleigh Bells these days. The result almost sounds like "Pepper" by Butthole Surfers, but maybe that's just me wanting something to sound like "Pepper" by Butthole Surfers. Either way, I highly recommend playing this cover full-blast in a beat-up 90's Volvo just as the original was meant to be played.


Moon River - Frank Ocean

Despite being a day late, Frank Ocean's "Moon River" is this years' Valentine cover song. Channelling his inner Audrey Hepburn from Breakfast at Tiffanys, Ocean delivers a poignant rendition of a timeless classic only the way he could. "Moon River" is just a reminder how incredible Frank Ocean is even if this wasn't his best take.


People / Halfsleeper - CJ Boyds



CJ Boyds has been traveling all over the country for 10 years playing with all sorts of wonderful talent. Boyds' cover album in honor of 10 years on the road might not be the biggest, but it's definitely the most ambitious cover album on this list. Not only are Boyds' covers carefully picked to reflect the bands and musicians he has shared stages and spaces with, all the covers are by musicians he has played with covering all 50 states plus Washington, DC and an unknown bonus track for US territories. Along with that, Boyds recorded each song in the respected state as to which the song is associated with. Currently, only "People / Halfsleeper" is available for listening, but judging by this drone-y Dilute meets Chelsea Wolfe combo-cover recorded in California, Boyds ode to the US is going to be mighty impressive.


Pontiac 87 - Preoccupations



A few bands seem to loose some steam when they change their name. Preoccupations, formerly Viet Cong, however are keeping the hype train going. This year they released an album called New Material (Which might be there new name next year) and a split with top-tier post-punkers of the '10s, Protomartyr. Preoccupations prove they are here to stay with their spaced-out rendition of "Pontiac 87". The cover might not be the most challenging, especially since both bands are so similar, but maybe not appropriating someone else is a good thing for Preoccupations right now.


Same Drugs - Free Throw



With a band tackling Chance the Rapper's "Same Drugs", one might think that Free Throw are putting a special spin on a hometown favorite. However, Free Throw are not a Chicago emo band. Hell, they're not even an East Coast emo band. Free Throw from Nashville, Tennessee already take on the task of being a long shot, a surprisingly not "southern" emo band. Free Throw aren't defined by where they reside, but rather by how moving their music can be. It's a surprise to most, and a cover of Chance seems like the biggest surprise Free Throw could have come up with, yet here we are. "Same Drugs" comes as a surprise at the end of Missing Pieces, a small compilation of re-imagined songs from their 2017 album, Bear Your Mind.


Playlist w/bonus covers:

Knife Worship - Targeted Individual

Knife Worship - Targeted Individual (2018)

Knife Worship, hailing from Bangor, Maine at the time of this release, have been tinkering away in sound recording classes and dirty practice spaces on and off again for a few years now. In that time, the sounds coming from those rooms have evolved. What once was powerviolence became post punk, then industrial and back again. At the end of the day, there's one thing that Knife Worship have always focused on - testing the limits of punk rock music. Targeted Individual is a synth-y, post-punk-drenched 4-song release that ends before you can even think of another sub-genre. Enough said. It's a quick trip, so dust yourself off and listen to it again.


Similar acts/sounds - Ceremony, Uniform, Caust, Limbs Bin, Night Life, Street Sects, So Stressed.

Facebook
Bandcamp

NFT's Got You Covered - Favorite Covers of 2015!

Back from hiatus because I love lists and I can't resist talking about my favorite things of the year. So, to get the boulder that is list season rolling, here are some of my favorite cover songs of 2015!

Hot Chip - Dancing in the Dark from Dancing in the Dark EP

If you are like me, then you probably only know Hot Chip from the wacky music video for their 2010 single, "I Feel Better". Well, now I also know that they also do a pretty nerdy synthed-up version of "Dancing in the Dark" by Bruce Springsteen. This cover of one of my favorite Boss jams includes an Everything is Terrible-esque music video and a sprinkling of LCD Soundsystem's "All My Friends" towards the end. A lot of this cover plus the music video seems overplayed at times but I still enjoy it for what it is; tacky.

Tigers Jaw - In Between Days/Kevin Devine - Lovesong from Devinyl Splits No. 3


Two sincere Cure covers.

Girlpool - Cut Your Bangs from Chinatown

This cover of Radiator Hospital's "Cut Your Bangs" from last year frequently came on while I rode to work on my new bike this summer. Every time I was completely floored by how genuine it was. I personally like both tracks equally but I can't help but think that this version here is a bit more accessible to folks who can't stomach Radiator Hospital's unique vocals. Hell, I'm already seeing videos of people covering this version titled "Me covering Girpool's cover of Radiator Hospital". 

Somebody Kill Me Please - LVL UP from Faux Real II



Faux Real is a compilation of cover songs curated by Father/Daughter Records. The covers are that of fictional bands and singers from TV/films such as The Rutles, Sadgasm from the Simpsons, and The Blowholes from The Adventures of Pete and Pete. My favorite one of the batch this year comes from LVL UP and their rendition of "Somebody Kill Me" via the Wedding Singer. The original sung by Adam Sandler's character had been listening to a lot of The Cure at the time.

Tiny Rick (Let Me Out) - Sorority Noise from Tiny Rick (Rick and Morty Cover)



Another cover from pop culture. Didn't listen to a lot of Sorority Noise this year and I wished I watched more Rick and Morty. Smash this link to listen to the original.

Thou - Even in His Youth from Whatever Nevermind



Another year, another Nirvana tribute album. Out of this year's covers of Nevermind curated by Robotic Empire, I had to narrow it down to the bonus tracks by Thou, especially "Even in His Youth", as my favorites of the pack.

Went with because even with Thou's own signature mutilation, there is still some poppiness that bleeds out from time to time. Well, maybe not "pop" per se, but it does have a little groove to it for a Thou track.

Spazzin' to the Oldies - A Tribute to Spazz 



Probably my favorite tribute album this year, Spazzin' to the Oldies is a 26 song nail gun full of grindcore nails to the face. This is a tribute album for the one and only Spazz. Spazzin' to the Oldies features some damn good grindcore/powerviolence/spastic metal acts from today such as Purge, Godhole, God's America, Brainshit, Chinsniffer and OSK (to name a few that I recognize). If I had to pick a favorite here, I would have to go with OSK's cover of "Spazz vs. Mother Nature" because it includes the banjo outre (no mouth harp, though, but I'll still give credit where it's due).

Old Witch - Gallows from Keeper Split



Old Witch's interpretation of CocoRosie's macabre tale, "Gallows" is definitely my favorite kind of cover song. While there were plenty of true-to-the-original covers I heard this year on and off the internet, I always love a good rework of a song from a different genre or a song given new life. Isn't the whole point of a cover putting your own spin on someone else's work? Isn't playing a song exactly the way it was intended Karaoke?

I'm starting to digress here for a sec but I honestly wish I could list Weekend Nacho's cover of "Tired of Sex" by Weezer. Yes, Weekend Nachos covered Weezer this year. No, it was not the most violent retelling of Pinkerton's #1 hit known to mankind. Instead it was strictly "Tired of Sex" performed as Weekend Nachos playing Weezer. Well hey, there's also "In the Garage", maybe they were just joking around and this is the Weekend Nachos cover I was expecting. Nope. Whistling and all, it's a great cover, but it's no Weekend Nachos cover. Then again, maybe my opinion will change once I get a grip. Maybe I'm just mad they didn't cover "El Scorcho".

Honorary Mentions:

Screaming Females covering T. Swift's "Shake it Off" for the AV Club
Ironlung with Wizard of Ozz covering B. Sabbath's "Electric Funeral"
Leftover Crack covering B. Raum's "Left Legs"
Corrective Measure covering A. Front's "Discriminate Me" (gotta rep Maine Hardcore)
Holy Filth covering M. Otorhead's "Iron Fist" (gotta rep Maine Metal)
And a thanks to any bands that I saw this year cover stuff... a heard a lot of it and it was pretty good most of the time.


Also, I'm sure I missed something very dope.

Afraid - Sinister Vibes

Afraid - Sinister Vibes (2015)

Portland's residential dark synth wavers are also back with another super original album that is appropriately named Sinister Vibes. Once described as electronic music from inside a deep dark well, Afraid have climbed their way out onto land and right into your backyard. They aren't just huddled behind the bushes either, they are right out in the open ready to strike you with their soulful ax. Don't bother calling the cops or running away... Afraid's Sinister Vibes will be both heard and felt.

Sinister Vibes is out now on a very hip (from the sound of it) label, Crash Symbol. I would definitely recommend grabbing the tape from those guys and going to see them before they get too hip and move across the state or something. For Portland folks they are playing tonight at Poland Street and tomorrow they are playing in Bangor at COESPACE on Columbia Street. Get Afraid!


Facebook
Bandcamp
Last.fm

Leveret - Action At A Distance

Leveret - Action At A Distance (2015)

What once was a bedroom project for a young Mainer has once again evolved into something extraordinary. With the first official show down and Action At A Distance recordings finally at my ears I never thought I would be trading my Leveret dancing shoes in for Leveret neckbraces, but with the new jam-heavy initiative apparent on this new record, things are really starting to heat up!

Action At A Distance is a 10 track mix bag of electronic and sensual pop/rock party music. With the addition of Penn and Cormac on this release, experimentation is a bit more prominent than the last album, Infinity which was played out like Jesse Gertz's early works of a one-man electronic act's swan song. Now with the full-band in full-force, there are a lot more to be done and heard. The electronic and seductive feel is still there as always but there are a lot of new sounds that I have never heard from Leveret before thanks to four more hands holding more guitars and effects. There are also a lot more influences that shine through that previously could not be accomplished by Jesse alone.

With the addition of a full band listeners' are always bound to come across things they wish sounded a bit more stripped down or less polished. With Action At A Distance though, the use of rock and roll instrumentation as opposed to the keyboard and bass of the past makes these songs feel a lot fuller. A recommendation I always gave Leveret was to play louder! Now with the extensive use of electric guitar I think they have found just the right volume for their party-pleasing jams.

The album does a really good job of displaying the talents of all its musicians. With "Grandfathers Axe" we hear more of what Cormac can bring to the table (and pedal board) not just by his use of the guitar but also with his vocals - something previously never showcased before other than for backing vocals during live performances. Cormac can bust out some very sleek and seductive vocals that are perfect for the more intimate moments of the Leveret experience. At A Distance also does a great job of showcasing Jesse Gertz's vocals on "Oscillator" and and the electronic epic closer "Ghost". Jesse's vocals are clear yet laid-back, something I think Jesse has improved incredibly on and I think his vocal performances here are some of his best yet.

The only negative comment I have with At A Distance is also one of the best things about the album and that's that there is too much going on. During Leveret's record release show at the Space Gallery in Portland I was hearing a lot of comparisons being thrown around as to what the new album sounds like; I heard Party music, I heard electronic, I heard indie pop, I even heard Queens of the Stone Age-core. While there's nothing wrong with comparisons or sounding like all sorts of different things, I think that by delivering so many different sounds track after track, listeners are left really not knowing exactly what it is the band is going for.

Then again, all the sounds Leveret are delivering here on At A Distance are really well done and at least are not anything generic. It probably doesn't help matters much either now that there is also another band going by Leveret that play folk music from the UK... but this right here is the only Leveret worth figuring out!


Highlights: "Oscillator", "Unclothing", "Swallow", "Little Drum Song", and "Ghost"



Now check it out for yourself!

Official Site
Facebook
Bandcamp
Last.fm

Goblin - Suspiria

Goblin - Suspiria OST (1977)

It's the spookiest time of the year again, so listen to spooky music!

Goblin were an electronic prog rock band from Italy. Originally known as Cherry Five, the band was commissioned by director and spook-master, Dario Argento to help finish compose the music for his 1975 horror masterpiece, Profondo Rosso AKA Deep Red. With the goal of creating such a beautifully goosebumped-out soundtrack, the band needed a much cooler and darker name, apparently, so they trashed the Genesis-inspired Cherry Five name and were re-born as Goblin. After Profondo Rosso, the band were then assigned to compose all of Argento's next film, a sort of ballet of horror, Suspiria!

Suspiria is both suspenseful and beautiful - a combination of traits that also appears in the soundtrack by Goblin. I'm not going to spoil the movie for you if you haven't seen it; I'm just going to say you will be in for quite a treat this Halloween season if you do see it! It's a classic and don't let the whole ballet thing fool you. A good movie can make anything watchable (plus there's really not much ballet anyways).

Here's a taste of Goblin's "Suspiria" if you haven't already familiarized yourself with this incredible track (or the rest of the soundtrack):

Get spooked!

Last.fm

AWAAS - It's Great Dying.

Awaas - It's Great Dying. (2014)

From the ashes of local legends, Conifer and Ocean came a new experiment to enter the dark dimensions of the musical subconscious. The year was 2011, and new bands from Maine were popping up left and right, including aformentioned louder-than-hell brigade, Awaas. Now it's 2014, and Awaas, like any cool local band should, are calling it quits.

Almost two Sundays ago, Awaas took there music, set it on fire, and rode off into the sunset, (almost) literally. Awaas's final performance was a viking funeral through Casco Bay. While there may or may not have actually been fire aboard the Casablanca booze cruise, from the sound of things it was quite the burial at sea. As a fan of both music and boating, that is probably the most badass way to go out.

Along with the Casablanca Cruise being the final show for Awaas in Portland, it was also the birth of their cleverly titled new album, It's Great Dying. Whether or not the 'waas team knew they would be releasing the damn thing on their death bed, It's Great Dying is certainly their swan song.

Riddled with the instrument of choice circa 1983, the synthesizer, Awaas goes completely in direction not yet heard on It's Great Dying. It seems a bit risky at first, mixing their minimal approach heard on the 2011 self-titled EP with a much more prominent gothic to industrial pop feel. Still, even with the fond interest in the synth, Awaas retained that heaviness that I remember quite well last time I saw them (opening for Thee Silver Mt. Zion in Portland).

It's Great Dying is not like a lot of music being released these days. Coming from Awaas, this is no surprise to me. Awaas is not music you can easily define other than throwing out a few meaningless phrases like krautrock, electro, industrial, or drone with names like Swans, Lungfish, Bauhaus, and The Birthday Party. At the end of the day, Awaas is just Awaas - as cheesy as that may sound - you can't put a finger on something that doesn't have any guidelines or rules other being completely DIY and has the need for really loud synth.

Highlights: "A Simple Horror",  "Big Fun", "Tiny Monsters", "Magnetic P.I.", "Cauterize", and the rest of the album.


Also, feel free to read more about Awaas and their final show via Post Mortem, here.

Facebook
Last.fm